Tuesday, August 26, 2008

Model of Disinformation



The purpose of disinformation is to deceive. Large-scale govern-media operations require obedience and acceptance of policy objectives, which typically run contrary to the interest of most people.

Broadly speaking, disinformation can take one of two forms - trying to get the public to believe something which is actually false, and trying to get the public to disbelieve something which is actually true.

A. Acceptance of a false narrative
  1.  Divide the false narrative into component pieces, then repackage each element surrounded by true (but irrelevant) details.
  2. False narrative is presented by a seemingly credible source (expert).
  3. Public swallows the false story piece by piece.

B. Rejection of a true narrative
  1. Divide the truth into component pieces, then repackage each element surrounded by false details. The false details range from plausible to absurd.
  2. Repackaged truth is presented by a lunatic.
  3. Public rejects truth, "throwing the baby out with the bath water".

Tuesday, August 19, 2008

$100,000 WNYW Chopper 5 Challenge

I challenge WNYW Television (Fox-5 New York) to release to me a broadcast-quality copy of the raw Chopper 5 airplane footage, plus a copy of the WNYW broadcast output for the morning of 9/11. If they do so, compliant with the parameters below, I will pay a reward of $100,000.00 in U.S. currency. 


1. For purposes of this challenge, the master recordings are assumed to exist on NTSC 3/4" Beta video tape, a newsroom standard for many years up until 2001. WNYW shall make 1st generation digital copies directly from the Beta masters. 

2. The digital copies will be dimensions 720 x 486.

3. The digital copies will be interlaced.

4. The digital copies will be free of any and all processing, including but not limited to color correction and frame blending.

5. The digital copy of the raw Chopper 5 footage will be free of any and all logo graphics. The one (and only) known televised replay of the Chopper 5 footage occurred on CNN, a few short minutes after the event. The FOX-5 graphics are not present, indicating that the footage was recorded without them.

6. The digital copy of the broadcast output shall comprise the unedited broadcast which actually occurred on the morning of 9/11, on WNYW,  both audio and video.

7. The digital copy of the broadcast output will run continuously beginning no later than 8:30 a.m., and ending no earlier than 9:30 a.m. 

8. All digital copies will include the VITC time-code area.

9. The videos are licensed to me in perpetuity. 

Any clarifications, questions or details may be discussed. I warrant that I have a line of credit in excess of $100,000.


Sincerely, 

Alexander "Ace" Baker

cc

Isaura Nunez, WNYW 
Kai Simonsen, WNYW
Steven Jones
Steve Wright
Ron Wieck
Gary Popkin
Jim Fetzer
Judy Wood
Morgan Reynolds
Jerry Leaphart
Andrew Johnson
John Hutchison
Killtown











Sunday, August 17, 2008

$100,000 Hutchison Effect Challenge

August 17, 2008

To John Hutchison and Judy Wood:

I hereby challenge John Hutchison and/or Judy Wood to reproduce the "Hutchison Effect". If successful, according to the criteria below, I will pay a reward of $100,000.00 in U.S. currency.




1. I will travel at my own expense to Hutchison's laboratory (shown above) in the Vancouver area.
2. I will bring 3 video cameras with tripods.
3. Hutchison will describe and point out his apparatus components on video. I will have unrestricted access to the laboratory area, being allowed to video anything which piques my curiosity.
4. Hutchison will then produce the levitation of a steel wrench, as depicted in at least one of his previous videos. The wrench must fly upwards off of the table.
5. During the levitation demonstration, I will video tape continuously on all 3 cameras. One camera will be aimed at Hutchison as he operates any controls, one camera will be aimed at the wrench, and the last camera I will hand-hold, aiming at anything I choose.

While Hutchison formerly claimed to have had trouble recreating the Hutchison Effect, as of this past January, he claims to be able to reproduce it "regularly". I don't believe him. I think John Hutchison is a fraud.

Judy Wood is also a fraud. Wood claims that a weaponized version of the Hutchison Effect was used to destroy the twin towers. In trying to discredit me, and rehabiliate the Hutchison Effect, Judy Wood has issued demonstrably false claims about me, e.g. calling me a "plagiarist" with respect to my music writing.

I have reproduced the "Hutchison Effect" for exactly what it is - video fakery. Judy Wood created this page about my efforts, and intentionally left off most of the evidence that I supplied her with, a clear case of scientific fraud on the part of Judy Wood.

This is an opportunity for Hutchison/Wood to prove it up, and have a very nice payday. I warrant that I have I line of credit exceeding $100,000. Offer stands until the end of time.

Sincerely,

Alexander "Ace" Baker

cc

Judy Wood
John Hutchison
Jerry Leaphart
Morgan Reynolds
Jim Fetzer





--------------

The $100,000 Hutchison Effect Challenge

This agreement is between Alexander “Ace” Baker (hereafter “Baker”) and John Hutchison (hereafter “Hutchison”). The purpose of the agreement is to settle a scientific dispute between Baker and Hutchison. Toward that end, Baker and Hutchison agree arrange and document a demonstration of the so-called Hutchison Effect (hereafter “H-Effect”).

Background

Hutchison claims to have discovered a previously unknown energy effect capable of, among other things, levitating solid objects. Hutchison claims to have a laboratory of equipment in his Vancouver-area home capable of producing the H-Effect under his control. Hutchison has produced various videos purporting to depict various manifestations of the H-Effect, including one in which a steel wrench suddenly moves upwards, off of a table, into the air, flying out of the picture.

Baker claims that Hutchison is a fraud. Baker claims that Hutchison’s videos depict ordinary events, cleverly photographed in such a way as to make them appear unusual. According to Baker, the “levitating” steel wrench is an effect achieved with an upside-down camera. The wrench is held in place on an upside-down table, via an unseen magnet, then released and allowed to fall down, thus appearing to fall upwards, claims Baker.

Hutchison denies all accusations of fraud, states that his videos are legitimate, and that the H-Effect has been witnessed by many, including military personnel.

Challenge

Hutchison agrees to demonstrate a levitating steel wrench in the presence of Baker. Baker will, at his own expense, travel to Hutchison’s home/laboratory, arriving at a mutually agreed upon day and time.

Time: _____________ AM/PM

Date: ______________________ 2010

Hutchison agrees to be home at this time, and prepared for the demonstration.

The demonstration is said to begin the moment Baker arrives, and will last not more than 1 hour. Hutchison agrees to allow Baker to make audio/video recordings at all times during the demonstration. Hutchison agrees to allow Baker to observe and record audio/video wherever Baker wants, including under things, behind things, etc.

Hutchison agrees to then place a steel wrench on a table.

Hutchison agrees to allow Baker to verify to his own satisfaction that it is an ordinary steel wrench, allowing Baker to lift it, and examine it.

Hutchison agrees to then allow Baker to stand next to Hutchison during the time in which Hutchison operates any necessary controls.

Hutchison will then cause the wrench to move upwards off of the table, into the air at least 12 inches above the table. This levitation is to occur without anyone touching the wrench, and without any other normal means of lifting a solid object, e.g. by means of an attached string or wire.

After the completion of at least one levitating steel wrench, Hutchison will confirm that Baker was able to make a recording of the spectacular event. Hutchison will ask Baker, “Did you get that?” or words to that effect.

Baker agrees to, at that time, and under those circumstances, stop his recording, access the audio/video file, play it, and make sure that he “got it”. Baker agrees to then say to Hutchison, “Yes, I got it!” or words to that effect.

The demonstration is over when Baker says, “Yes, I got it!”, or one hour has elapsed since Baker’s arrival, whichever comes first.

Judge

Baker and Hutchison agree that _____________________________________ will serve as Judge of the demonstration.



Payment

Baker warranties that he has a line of credit in excess of $100,000. If Hutchison is successful in levitating a wrench, Baker will access his credit, and transfer $100,000 (U.S.) into the bank account of Hutchison, not more than 14 days after the demonstration.


Further Considerations

Furthermore, if Hutchison is unsuccessful at levitating a steel wrench, Hutchison will give to Baker a digital video copy of the so-called “Boat Experiment”. This digital video shall be dimensions 720 x 480 in size, 29.97 frames per second, and will not contain any duplicated frames. It is to be delivered to Baker no more than 7 days after the demonstration.




Witnesses

Hutchison agrees that Baker will bring one witness of Baker’s choice. The witness will be allowed to observe the demonstration along with Hutchison and Baker.

Baker agrees that Hutchison will be allowed to invite as many witnesses as Hutchison would like, and that the size of his home/laboratory will accommodate.

Ownership of audio/video

Hutchison agrees that, whatever the outcome of the demonstration, Baker will, in perpetuity, own all intellectual property in the audio/video recording made by Baker. Other witnesses who choose to make recordings of their own, will each own their respective recordings.

Baker agrees to publish and make available for download his complete and unedited recording of the demonstration.

Hutchison agrees to never interfere with the publication and dissemination of the demonstration recordings.





Alexander “Ace” Baker ________________________________ date _______________




John Hutchison ______________________________________ date________________





Friday, July 25, 2008

Theory of Edited (non-live) 9/11 Airplane Videos

I demonstrate how the Ghostplane video was created. I use Apple Motion, any high-end compositing environment could have been used on 9/11.



A better quality version of the demonstration video may be downloaded here.

1. Stabilize source video.
2. Create airplane.
3. Add airplane, color correct, blur.
4. Establish motion path of airplane.
5. Add layer mask to disappear airplane.
6. Add shadows on tower face.
7. Add hole, with masking.
8. Add puffballs.
9. Unstabilize everything.

Wednesday, July 16, 2008

Thursday, June 26, 2008

Video Fakery AND Real Planes?? Owning Jones.

The following dialog between Steven Jones and me took place June 23-24 2008, and I await any further comment Dr. Jones may have. This came right after I submitted a 25 page paper on video compositing and no planes to the Journal of Nine Eleven Studies for review.

Dr. Jones is now evidently floating the idea that videos were faked AND there were real plane crashes. This is ridiculous on its face, and an understanding of the technology shows it to be impossible.




Ace,

1. If two videos were "faked", does that necessarily mean that ALL videos of a plane hitting the So Tower were faked, including a number of amateur videos? could not faking the two videos be part of the Machiavellian plan (as someone pointed out, Mike I think) rather than "proof" of "no planes"? Please clarify your logic here.

-Steven Jones




You must make finer distinctions than merely saying "fake" video. Some kinds of video fakery are possible to do in real time, some are only possible with editing time, some are extremely difficult even with editing time, and some are strictly impossible.

We see impossible physics in CNN Ghostplane. We see the wing through the wall, yet no damage to the wall. Later, there was damage to the wall. This is perfectly consistent with a simple type of compositing. That's why it looks so fake.

However, if this was a real plane crash, which actually broke the columns, then it means they had to copy and paste the wall back together so that it appears unbroken during the wing passage. This is next-to-impossible to do without detection. You would need to copy the undamaged wall information from somewhere. Where? Earlier frames? That would work, but we could run a difference matte, and could easily prove that pixels were copied from one frame to another.

If we accept that Chopper 5 was shown live, the "real planes + fakery" hypothesis is out. For example, there's no plane in the wide shot. This is perfectly consistent with the compositing hypothesis, because they did not intend to show that wide shot, only the zoom ed in shot. It is impossible to erase a flying plane out of the sky, in real time, on a shot that zooms and pans. It simply cannot be done with existing technology. This would require perfect motion tracking on the buildings, and the incoming airplane. Not possible.

Suppose I grant that you are correct about the two videos you challenge, does that necessarily mean that ALL videos of a plane hitting the So Tower were erroneous, including a number of amateur videos? could not these two videos be part of the Machiavellian plan (as someone pointed out, Mike I think) rather than "proof" of "no planes"? Please clarify your logic here.

-Steven Jones



First, it is more than 2 videos I challenge. Please read the paper I sent you for review. It is a consideration of the totality of the video record, and show that only the compositing hypothesis satisfies that data. I outline a fairly specific narrative involving 1st, 2nd, and 3rd generation videos.

But yes, proving the nature of the video compositing present in Ghostplane, and/or Chopper 5 necessarily rules out the legitimacy of the other videos. I have explained this perfectly clearly. Some things are possible with editing, some things are not. Inserting an airplane and making it disappear through the wall is quite doable. Taking a real plane crash, and making it look like a bad special effect composite, is not possible. Therefore, there was no real plane crash. QED.

Consider Chopper 5 and its missing airplane in the wide shot. If we assume this footage was shown live, we can rule out a real airplane. A real airplane would have been present in the beginning sequence, including during zooms. Real time erasing an airplane from a zooming shot, and doing so undetectably, is impossible.

Therefore there was no real plane. QED.

The motion of the airplane in Chopper 5 becomes less stable upon stabilizing the footage. This is impossible with a real airplane. Therefore the airplane image is a composite. It is impossible to motion track reliably in real time, therefore the airplane image in Chopper 5 could not have been overlaid on top of a real plane in real time. Therefore the airplane image must not be covering up a real plane. Therefore no real plane was present. QED.

The Pinocchio's Nose event cannot be a real event, as explained in great detail in my paper. Therefore real time compositing was taking place. Real time compositing cannot cover up a real airplane. Therefore there was no real plane. QED.

I could go on, but it would run 25 pages, and it would be the paper I already sent you.

Since there was no real plane, all videos depicting a plane are composites. QED.

Perhaps you should clarify your hypothesis, Dr. Jones. You're suggesting there was a real plane crash, and that certain videos were faked, to serve as a honey pot for false research. What specifically do you argue was added/deleted/modified on which videos? Be specific. Only then could I address your claims in any more detail.


1b. In particular, How do you account for multiple, independent amateur videos of a jet hitting the So. Tower?

-Steven Jones



Pretty easy actually, once you understand the technology. A single flight path is modeled in a program such as Lightwave 3D. Once modeled, an airplane layer can be rendered from any virtual camera position. Camera motion is matched with a form of motion tracking called "match motion". Motion blur, focus, shadows, etc. are all standard plug-ins.

Amateurs? Prove it. Spooks were seizing cameras left and right. There was no flying object, therefore actual amateur footage of no-plane is unlikely, for why does someone shoot video of nothing? If video surfaced showing no plane, the perps would simply accuse that person of removing the plane, they would seize the footage, quickly and easily composite a plane into it, and claim that was the original. A computer with files would be planted as evidence, the photographer would be jailed as a terrorist, and that would be the end of it.

I don't care if there are 42 or 1042 of them. Any number of airplane videos can be composited.




2. Did the Boeing plane which hit the Empire State Building ENTER into that building? Did it leave a hole showing where the wings hit? Relevant experimental data.
-Steven Jones


It is instructive to consider the B-25 accident. The Empire State building has a non-structural facade. No steel columns were severed. Pieces fell to the street. Video was not available in those days. If video was available of the B-25, I'm sure that whatever damage was done appeared to occur as the airplane was interacting with the building material. This is in sharp contradistinction to CNN Ghostplane.



2. It appears that we agree that a B-25 hit and ENTERED the Empire State Building, with pieces exiting the building. These data are consistent with observations of the planes hitting the Towers. Building on these data, can you provide other experimental evidences that a B-767 at high speed would NOT enter a WTC Tower?

-Steven Jones



As far as I knew, pieces of the B-25 fell down to the street on the impact side. Entering the building is a bit misleading, because of the structural differences between the buildings. The twin towers had structural box columns right at the perimeter.

I think the best data we have on jets hitting strong things is Sandia. Score was Wall 100, Jet 0. I think the strength of the Sandia wall was comparable to the strength of a floor assembly, edge on. Those floors had to transfer lateral loading to the core.






3. How do you account for NIST's detailed analysis of the oscillatory motion including damping of the So. Tower following hit? How does one get the Tower to oscillate like that in the absence of a plane-hit?

-Steven Jones


One gets the Tower to oscillate like that in the absence of a plane-hit by setting off explosive charges. Those charges are asymmetrical on the tower, they exert force, the building is flexible. Very flexible. It was known to sway in the wind all the time. Newton. equal and opposite. Force. As in pushing. We've been through this. At length. It's not so different from rocket thrust. Explosion goes one way, pushes stuff the other way.



3. How do you account for NIST's detailed analysis of the oscillatory motion including damping of the So. Tower following hit? How does one get the Tower to oscillate like that in the absence of a plane-hit? Note that Momentum must be conserved in ANY collision. A Boeing 767-200 traveling at high speed has enormous momentum, which can be calculated using P = MV. Similarly, explosives blowing OUT the side of the building would have some momentum -- but have you calculated how much? In other words, how much explosives (by weight) does one need to use, and at what velocity of the "exhaust" gases, to equal the enormous momentum of a high-speed B-767?

-Steven Jones


Who said it has to equal the momentum of a Boeing 767? What plane? Let's begin by asking what NIST used for input data to their Moire. What was actually measured, and could I please see that?

Wednesday, June 18, 2008

Woulda, Coulda, Shoulda

I should be working on the movie. I'll get it done, and it will be all it needs to be. But I'm messed up. 

I didn't handle the Hardfire show well. There was no way I could have, under the circumstances. Steve Wright's pre-condition for doing the show was that he be supplied with a list of every claim I would make, and every video I would show, a week in advance. Originally, months before the show, I responded by saying that I needed the same consideration. I wanted to see everything Wright would present. I suggested that I give him my material 2 weeks in advance, and he present his to me one week in advance. 

In response to that suggestion, Wright declined. He said he did not intend to present any new material. That turned out to be a lie, only the first of many. A week before the show, I gave Steve Wright this Word document, with links to many video files. 

So the situation preceding the Hardfire show was that Wright new everything I would say, and I didn't have a clue what he would say. I knew this. I agreed to go forward anyway, because I wanted answers. At that time, there simply was no official story explaining away the problems in the 9/11 videos. I felt it was important to get an expert on the record answering these charges. 

But what I should have done was this - I should have explained to the camera what I just explained in writing. I should have said that I've had no chance to research whatever claims Wright was going to make. I should have said that all claims would be addressed on my blog, and given the address. 

Unfortunately, I could not respond on the show the way I would have liked, because I had promised to only present the videos I sent to Wright. 

For example, on "no plane in the wide shot", I could have shown my control case. I shot video from 6 1/2 miles, into a bright sky, zoom out. Planes are visible. 

For example, on "debris came out of the tower, and looked like a nose", I could have shown Gamma Press, and Fairbanks, which also look like a nose cone. Then, I could have shown Naudet, which clearly shows  a dust creation. I could have mentioned that the edit in Naudet is exactly where the fade to black is in Chopper 5. 

But, I held up to my end of the deal. It will be OK in the long run. Rest assured this will all be covered in my movie. But very few people will give a rat's ass anyway. So what?  Who cares?

Wright lied his ass off, over and over. He says interlaced footage proves no compositing. He says the fade to black is Auto Gain Control. He says objects disappear at 8 pixels in size. He says planes must only go at a constant speed in a composite. He says a kerosene explosion can break steel. 

Steve Wright, you are a filthy liar. You conspire to cover up mass murder, and I hate you. You lied to me, you lied to the world, and I can prove it.